Joseph Beuys – Order british artists and the choreography of power

and the choreography of power embedded in propaganda imagery

positioning Cage P19-3 as a key example of his late abstract practice that is both contemplative and visually dynamic

affirming Kosuth's central proposition that art is not defined by form or image

Produced in an exceptionally rare edition of just 12 prints

Joseph Beuys – Order british artists and the choreography of powerOrder (1973) by Joseph Beuys is a stamped order card (Bestellkarte) printed as an offset on red card, conceived as a functional multiple that collapses paperwork, distribution, and authorship into a single object. The limited edition print mimics an everyday order form, then is activated by Beuys rubber stamp and handwriting, turning administrative language into a compact conceptual gesture. Often associated with Beuys use of multiples as vehicles for